In view of the debate about Britain’s place in Europe, fuelled in June 2016 by the United Kingdom’s electorate’s decision in favour of ‘Brexit’, it is extremely interesting to examine where British canonical children’s literature positions itself towards the social imaginary of Europe in a continuum from ‘splendid isolation’ to full integration. Secondly, the threshold is a zone of indecision and there is generally a moment when the character pauses before and just after passing through the portal. That message is underscored by the final scene of the novel. Alice remembers this good advice because she has read stories rather than because she has been instructed by wise adults. As Elisabeth Wesseling has shown, orphan narratives often make use of sentimental styles and melodramatic narrative techniques, with black and white characterisation and extreme highs and lows for the main characters that serve to engage the reader (2016: 123–4). An Autobiography of Emotion, Mind, and Spirit, Madison: University of Wisconsin Press. None … zero. When my own kids came along in 2002 and 2005 I looked for picturebooks with latinx characters, but ended up settling for books with non-white characters. But, it lands flat to me. Why or why not? However, it is much less clear how judgements of cultural value might extend to the media adaptations. 75–86. A crossover of successful books from independent to mainstream publishing, as in the 242 gillian lathey case of two of the books published by Aidan Chambers, Erlbruch’s The Little Mole or the novels of Cornelia Funke, together with the widespread distribution of books published by Pushkin in UK bookstores, indicate the potential of independent publishers to create influential currents in the wider market. . . Cohen, Tom (ed.) A multimodal analysis suggests some answers. Butler, Catherine and O’Donovan, Hallie (2012), Reading History in Children’s Books, Basingstoke: Palgrave Macmillan. Holzwarth, Werner and Wolf Erlbruch (1994), The Little Mole who Knew it was None of his Business, trans. Instead, it claims that any study of literature and art must take biological aspects of human existence into consideration. Conceived by the author as a septet from the beginning, Rowling launched a new book almost every year. de Kerckhove, Derrick (1997), Connected Intelligence: The Arrival of the Web Society, Toronto: Somerville House. What those approaches have in common is a stretched cross-disciplinarity, extending across the humanities, the social sciences, and the so-called hard sciences. The focus on and focalisation through young characters in most children’s books helps to explain, for example, why the figure of the wise mentor is so pervasive in this discourse. A literary analysis conducted in view of these aspects could investigate the ethical and moral values of fictional characters and look at the basis on which their decisions are taken. Do you think the book has influenced your life? Suzanne Collins’ The Hunger Games trilogy (2008–10) and Veronica Roth’s Divergent series (2011–13) have made excellent use of urban spaces and edgelands, that is areas that lie in the borders between wilderness and civilisation, allowing characters like Katniss Everdeen and Beatrice Prior who are physically and socially marginalised to move beyond the limits of their cultural roles. If young people engage in the ludic mimicry of the Potter mythos, then they also enjoy the combat around which the whole sequence of novels is organised: the perennial struggle between Harry and Lord Voldemort. Siddall, Stephen (2009), Landscapes in Literature, Cambridge: Cambridge University Press. As such, it both confronts and contributes to this risky business of living and thinking with companion species. Without recognition, however, their new scripts don’t have the force they need to transcend the notion that being East Asian somehow puts them essentially at odds with the democratic promise of equal dignity and treatment under the law. Haraway, Donna (2003), The Companion Species Manifesto: Dogs, People, and Significant Otherness, Chicago: Prickly Paradigm. That age is a relative criterion to assess a person’s character is also underscored by Will’s best friend Zach. Although Donovan had begun work on the project much earlier, its release in the same year as the Stonewall riots that marked a significant turning point within the gay rights movement paved the way for a new subgenre within adolescent fiction. It may be that a richer definition of ‘digital literacy’ will solve some of our conceptual problems, but such an approach runs the risk of belittling the significant role that print literacy continues to play in a comprehensive account of literate behaviour. a whole generation of one group . Bang, Molly (2016), Picture This: How Pictures Work. Systems theory approaches, for example, understand canons as autopoietic systems regulating themselves due to their own intrinsic codes and ground rules. . That might appear to be a microtrend, but sixty-nine were published in 2001 and ninety-nine in 2004, so the variation 308 eugene giddens across the period is minimal (CCBC 2016). Rosenblatt, Louise M. (1985), ‘Viewpoints: Transaction versus interaction – a terminological rescue operation’, Research in the Teaching of English, 19.1: 96–107. (United Nations 2012: 7) With this ‘common future’ at stake, the feminist ecocritical move towards acknowledgement of the interconnected nature of systems of oppression, and of our intricate enmeshment in our wider ecology, is a helpful step towards valuing our environment on both a small-scale personal level and on a medium-scale socio-political level enabling of transformative change. If, instead of history, we consider socio-cultural geography, then we can see how readers and their responses are also produced in the intersections mentioned by Machor but within contemporary geographically-specific fields. Aristotle (2008), Politics, New York: Cosimo. The typical fantasy map offers a representation of a space, not an accurate record of one. Waterloo would no doubt loom large in the history of Sophie’s world, but her sense of it as the singular event from which all present evils flow knocks audibly on the fiction’s fourth wall: Sophie, after all, does not know she is living in a different timeline from that of her readers, nor that this battle marks the point at which their worlds diverged. A first step in establishing the list was to ask an Iranian children’s author to produce a list of the best 100 books available in terms of artwork and story; then to whittle this down to ten titles through careful discussion, and finally to offer children glimpses of the literary, artistic and philosophical history of the country in a collection of picturebooks.
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